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Corey Hall

Corey Hall

Imagine that the classic quintet albums recorded by the late Tony Williams now have the following instrumentation: tenor saxophone, trumpet, drums and Hammond B-3 organ. This scenario makes up almost half the performances on Back Home, organist Pat Bianchi’s second release. This recording is balanced out when Bianchi leads a second ensemble featuring the more traditional organ trio with guitar and drums.Bianchi’s hard-bop quartet, tenor saxophonist Wayne Escoffery, trumpeter Terell Stafford, and
Two hands to do the deed. Eight note in a search of a scale. Nine songs in 45 minutes, and 88 keys at his command. So, what is a solo pianist to do now?Well, for Jim Hegarty, the options presented above form an aural playground where five originals and four standards receive random reorganizations as infinite melodic possibilities are stretched this way, that way, and – oh, hell, why not?! – that way, too.Hegarty’s Cut it/out (Noise Reduction Society) is best described as a soundtrack for a free
Imagine that the classic quintet albums recorded by the late Tony Williams now have the following instrumentation: tenor saxophone, trumpet, drums and Hammond B-3 organ.…
Two hands to do the deed. Eight note in a search of a scale. Nine songs in 45 minutes, and 88 keys at his command. So, what is a solo pianist to do now?Well, for …
Anyone fortunate enough to have experienced the Heath Brothers Quartet live or via recording has been rewarded by their ability to always be tasteful swingers. Now take…
Assertive, masculine saxophone/drum interactions coexist alongside pleasant, feminine electric keyboard accompaniment, and acoustic bass and brushes meet backbeats on
Dig Django Reinhardt? Well, consider checking out the Django Jam featuring guitarist Frank Vignola. It is scheduled for August 20-23, 2010 at Jorma Kaukonen’s Fur Peace …
Who says that three musicians from the Association for the Advancement of Creative Musicians (AACM) playing "shaved-face music" the term given by Dizzy Gillespie for pia…

As ‘Ultra Sheen’, the title track from his new album, reaches its conclusion, tenor saxophonist, composer, and rapper David Boykin proclaims: "I crept up in position on competition, that slept on my skills in composition, and kept on with ambition pursuing my violation, built my rep on original creation, not steeped on renditions of dated tunes, that should have been slated for demolition, a long time ago, before a wrong rhyme ago."

Well folks that sounds like fighting talk! …

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