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FEATURED INTERVIEWS

  • George Duke is a multi Grammy Award winning legend. So, when I called him to get a few quick quotes for my France Joli interview (he produced her album 'Witch Of Love') I quickly realized I needed to milk this…
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  • Kem Owens
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    Adekemi Owens, known professionally and affectionately to music fans as "Kem," has come a long way from Nashville, Tennessee to his current hometown of Detroit, Michigan. So, one figures that is why this musical genius has written and performed songs…
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  • Born in Dallas, Texas and now happily domiciled in Los Angeles, bass player Edwin Livingston could be described as being on the crest of a wave.  His CD 'Transitions' was released in late 2010 and when recently I caught up…
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  •  New Orleans trumpeter Nicholas Payton has never conformed to anyone or anything. Reading his Facebook posts and Twitter “tweets”, you sort of get an idea about how un-traditional he is. He speaks his mind and, should someone attempt to challenge…
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Laura Henrich

Laura Henrich

Musicopia, formerly known as Strings for Schools, announces an innovative collaboration between the Appalachia Waltz Trio featuring virtuoso fiddler Mark O’Connor and an ensemble led by jazz violinist John Blake, Jr. Through a hands-on workshop with the Philadelphia School District All-City Middle School Chamber Orchestra and Band, these professional musicians from differing backgrounds and styles hope to inspire Philadelphia youth to create and extend their own cultural journeys through music. …
The highly disciplined, truck driving, pavement pounding, nail banging, Civil War buff (His self-renovated fixer-upper even dates back to 1865), and proud papa of three debunks popular music mythology: classical musician does not equal jazz artist. Adam Unsworth, French hornist with The Philadelphia Orchestra since 1998 embraces the jazz idiom with the same guile and gusto as he does everything else in life.

At age 10, Unsworth confided in his first horn instructor, a professor at the local U …

An orchestra is like a museum. It upholds tradition and history, replicating great classics as accurately as possible, under the direction of a conductor. It’s like Bible recitation. Anyone, whose music can be revered 100 years later, deserves the reverence. It is, however, the antithesis of improvisation. Adam Unsworth

The release coincides with two Philadelphia performances. On Friday, March 17th, Unsworth takes the stage with his studio sextet at the Philadelphia Museum of Art for two sets