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Business executive for D'Addario & Company (strings) and drummer, Rick Drumm equates the album moniker and band name to his survival and ordeal with non-Hodgkin's lymphoma. And 25% of all proceeds from the album will be donated to the "Strike A Chord" foundation: www.strikeachordforchildren.org. A largely upbeat album, featuring prominent jazz artists lending their wares, the program circles back to the infancy of jazz-fusion, performed with a contemporary sound and approach sans any overcooked technical gymnastics.
Business executive for D\\\'Addario & Company (strings) and drummer, the album moniker and band name emanates from Rick Drumm\\\'s survival and ordeal with non-Hodgkin\\\'s lymphoma. And 25% of all proceeds from the album will be donated to the \\\"Strike A Chord\\\" foundation: www.strikeachordforchildren.org. A largely upbeat album, featuring prominent jazz artists lending their wares, the program circles back to the infancy of jazz-fusion, performed with a contemporary sound and approach sans any overcooked technical gymnastics. As a drummer, Drumm focuses on leadership, textural slants and acutely placed dynamics. You won\\\'t hear Billy Cobham (Mahavishnu Orchestra) type polyrhythmic bombs as the…
Keyboardist, composer and arranger Art "Spike" Schloemer is most obviously influenced by musicians like Joe Zawinul and Jan Hammer.  Schloemer is, like Zawinul, a true technical master, and like Hammer, has a lilt in his compositions that make them more than pleasing vehicles.  Schloemer's incredibly nimble fingers fly throughout the recording, and he puts them to good use in this collection of high powered, highly percussive fusion.
To jazz lovers the name of saxophonist and flutist Jeff Coffin should not be new. In addition to his 14 years spent as a member of Bela Fleck’s band, Coffin has worked with others like Dave Matthews and spent a lot of time working in studios for artists like Delbert McClinton, Brooks & Dunn and Marc Broussard. For this three-time Grammy winner, Coffin’s newest recording is a two-disc set gathered from live concerts in Illinois and Texas with his musicians while on tour in 2010 and 2011.
  The Realm of the Guitar Gods continues to be inhabited long after its time had supposedly ended.  However, a new wing has to be added to accommodate the electric violin of Susan Aquila.  As virtuosos go, she’s right at the top, but sounding sometimes like Jean Luc Ponty but just as often like Alvin Lee or Joe Satriani.  With feet in both the rock and classical worlds, she seems at first an unlikely candidate to end up on a fusion album, but here she is, and the results are quite spectacular.    
 During the numerous theoretical waves of music and its major influences, the annals of music's scrolls have recorded many activists of the art of sound which have risen to become the statesperson of their chosen pulpit. Rock and roll had the Beatles, Nirvana, and Elvis taking front stage; the classics waltzed in Brahms, Beethoven, and Chopin; however jazz has eclipsed some of the most divinely unique and innovative conductors to have ever dueled with a music sheet. That said Legacy Recordings, the catalog division of Sony Music Entertainment, is affording serious listeners an encouraging collection of push-n-plays for the holiday…
Planet Z poses an interesting contrast. For one, first-call session violinist and active concert performer Susan Aquila uses a Viper 6-string violin to diametrically oppose her classical roots, and performs material composed by symphonic conductor, guitarist, Dr. Robert Tomaro. Hence, the program is centered within the jazz-fusion realm and framed on attractive material that effectively bridges the high-impact schema with numerous off-kilter metrics.
This widely acclaimed band's sixth album furthers its plight of providing the listener with a gamut of compelling contrasts amid a unique stylization that offers additional credence to the pioneering efforts instituted by Cryptogramophone Records. Here, violinist Jeff Gauthier leads a prominent cast through jazz-fusion, bop, free improvisation and resonating harmonic output with an in-your-face type composure to offset an array of tender subtleties and classical inferences.
The album artwork offers insight into the sound and scope of trumpeter extraordinaire Tim Hagans' 2011 jazz-fusion release. The program is brushed with dark hues and spacey architectures, translating into an impressionistic journey towards the nearest galaxy. But there's plenty of oxygen and life here.
Indeed, Abstract Logix has developed into a prominent record label, including iconic guitarist John McLaughlin among its roster. The record label has also evolved into prime distributor of jazz-rock, jazz-fusion and progressive-rock audio and visual product. And following up the 2011 2-CD release of these live performances recorded in 2010 at the New Universe Music Festival, Raleigh, North Carolina., this 2-DVD extravaganza backed by the record label tenders a stunning series of performances by many of the more prolific electric jazz artists who have reshaped, and extended this musical genre into the modern age. This DVD also showcases Abstract Logix'…
Reflections on the meaning and significance of Yom Kippur, the Day of Atonement, typically do not inspire a rockin' good time. That's precisely what's going on with Blasphemy and Other Serious Crimes, the sophomore CD from guitarist Yoshie Fruchter's great New York-based band Pitom. Fruchter and Pitom play a sort of advanced poly-stylistic instrumental rock that contains elements of jazz, traditional Hebraic music, metal, old-school prog rock, thrash, sludge and about a half-dozen other distinct musical sub-sub-genres that seem to be popping up at an alarming rate these days. So, while Fruchter's music is definitely a sort of fusion, it's definitely not…
Musical iconoclasts Wadada Leo Smith and Henry Kaiser were way ahead of the popular consciousness when it came to paying tribute to Miles Davis' pioneering electric bands of the early-to-mid 1970s. Kaiser's involvement in this project is no surprise. He's an avowed long-term fan of Davis' mid-1970s recordings and cites Pete Cosey's work on these recordings as a seminal influence on his own playing. At first, I found Wadada Leo Smith's involvement a complete surprise, if not a little perplexing. Affiliated with the AACM since the early 70s, Smith has worked extensively with avant-garde musicians such as Anthony Braxton, Muhal Richard…
Extraordinarily talented bassist and composer Jimmy Haslip is no stranger to jazz aficionados. Longtime bassist with the supergroup Yellowjackets, he has appeared on an almost limitless number of recordings. While Nightfall is only his fourth release as a leader, he has worked with countless other artists including Steely Dan, Tom Scott, Brenda Russell, Lee Ritenour, Eric Marienthal, Marc Antoine, Randy Crawford, Michael Franks and Jeff Lorber.
Trumpeter and teacher Stanton Davis, Jr., originally from New Orleans, studied at the Berklee Collge of Music, New England Conservatory and Wesleyan University. As a teacher, he has taught at the New England Conservatory, Wellesley College, Bennington College and Jazzmobile. As a performer, he has been a member of Lester Bowie's Brass Fantasy, the Lionel Hampton Orchestra, Mongo Santamaria's Orchestra and Mario Bauza & His Afro-Cuban Jazz Orchestra. Davis has also worked with artists like Muhal Richard Abrams, Jaki Byard, Gil Evans, Charlie Haden, George Gruntz, James Moody, Sam Rivers, Max Roach and David Sanborn. A large portion of Davis'…
Recorded in 1978, Fat Doggie is a genre-defying fusion of jazz, funk, disco, soul and Latin. Solid rhythm section, tight horns, great tunes. Imagine Average White Band, Santana, James Brown, Albert Ayler and Tower of Power all on one album! The Greg Alper Band featured the finest jazz players in New York, including Richie Morales (Spyro Gyra, Brecker Bros), Chuck Loeb (Bob James, Fourplay) and Ray Anderson (Best Trombonist: Down Beat magazine critics poll 1987-91).The disco-infused funk opening
Though the Danish multi-instrumentalist Robin Taylor has made a name for himself as a prolific and innovative composer in the progressive rock and jazz-rock fusion realms, many may not be aware of his considerable abilities as a free improvising musician. His free-jazz alter-ego manifests itself most frequently in a musical aggregation he’s called Taylor’s Free Universe, a band comprised of musicians who tend also to be involved in his various prog and fusion efforts.As one might expect, Taylor’
The word 'fusion' is a pretty good descriptor of a style of music only when you know what sorts of music are being fused. I suppose that one could describe Mercury Falls' impressive debut CD, Quadrangle, as 'fusion' – but that would only be 1/10th of the story (if that!). In today's increasingly chopped-up and micro-pigeonholed landscape of music sub-sub-sub genres, it is well-nigh impossible to describe the Bay Area-based quartet's music without resorting to terms that most jazz fans will not k
While heavily derivative of Weather Report and Steps Ahead, Ron Van Stratum’s Swingin’ In The Swamp still satisfies. This should, however, be no surprise when one considers who this Netherlands born and raised drummer and percussionist has played with. Following studies on classical percussion at the conservatory in Tilburg and jazz drumming at the Maastricht conservatory, both located in The Netherlands, Stratum has worked with artists like Mike Mainieri (founder of Steps Ahead), Jaco Pastori
Gary Husband is a musical renaissance man. A ferocious progressive-rock and jazz drummer, he also handles the keyboard duties here and for guitar titan, John McLaughlin’s 4th Dimension band. This outing provides a glimpse of prominent artists he has performed with over the years. Subsequently, the program signifies the first time McLaughlin and guitarist Allan Holdsworth appear on the same album. Husband summons his comrades for a diverse program, teeming with copious angles, and variable de
Indonesian guitarist Tohpati, revered for his work with the ensemble simakDIALOG, tenders a captivating mission, pronouncing a rapidly-paced slant on Indo jazz-rock. The premise for this album underscores a positive aspect that communicates an upbeat outlook and musically diverse course of action. Here, the musicians engineer a poetic manifesto based on our collective environments. Featuring memorably melodic grooves and radiant interplay with flutist Diki Suwarjiki, the music seamlessly coal
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