Owner and publisher of jazzreview.com, Morrice Blackwell is a christian husband dad jazz fan website developing marketing manager basketball playing engineer that lives for photography.
Maurice Brown and the Maurice Brown Effect gave the crowd at New York's Jazz Standard a musical journey through their stunning release, the Cycle of Love. This journey will not soon to be forgotten with its energy, fun and musicianship that was second to none. This was a must buy album for me.
As a saxophonist, Bob Reynolds has worked with a diverse array of artists in both pop (John Mayer, Michael Buble, Usher, Amos Lee, Jessica Simpson, Willie Nelson, Guy Sebastian) and jazz (Richard Bona, Tom Harrell, Brian Blade, Aaron Goldberg, Reuben Rogers, Eric Harland, Gregory Hutchinson). Reynolds is also an award-winning composer with 4 albums of original material and 4 ASCAP Young Jazz Composer Awards to his credit. He graduated with honors from Berklee College of Music and currently lives in Los Angeles.
Over the course of eight years, with three albums as a leader, several studio projects as a sideman, and countless worldwide performances, pianist and composer Gerald Clayton has established himself as a leading figure in the up-and-coming generation of jazz artists who are fluent in the range of styles that make up today´s jazz lexicon. Hailed by The New York Times for his "huge, authoritative presence," Clayton is well on his way toward etching his own enduring mark in the long and rich tradition of jazz. Never has this been more apparent than in Life Forum, his latest recording on Concord Jazz and his most ambitious project to date.
"In an attempt to find a title that represented my vision, I came across the word "oracle." Its definition draws attention to an individual, but I see the word in the context of the band as an entity; pushing the audience to ask deeper questions about one's meaning. Accordingly, our music is played with passion and sincerity. In every note, written and unwritten, the listener is exposed to an array of complex emotions. Emotions that lead to a broader truth through the journey of self discovery. We hope the music can call some people to action. Others to inaction. These are the kinds of personal reactions the music was written and played to evoke. The name, Kendrick Scott Oracle (KSO), possesses a mythical tinge, but it's meaning is actual.
Milwaukee – Alverno Presents the Gerald Clayton Trio at Wehr Hall on Friday, April 5th at 8:00 p.m. Named one of the top up-and-coming pianists to watch by Down Beat Magazine's 2008 Readers' Poll, 28 year-old Gerald Clayton brings us his remarkably extensive experience with such jazz greats as the Clayton Brothers and Roy Hargrove, and couples this with undeniable enthusiasm, an exquisite style and captivating presence. Here he works in the format he 'fell in love with': the trio. Single tickets are $25. Tickets may be purchased through the Alverno Presents Box Office at 414-382-6044 or on-line at http://alvernopresents.alverno.edu
Artist bio, video clips and links to artist's web sites are available at http://alvernopresents.alverno.edu/pages/shows/Gerald-Clayton.aspx. Artist jpegs may be downloaded at http://alvernopresents.alverno.edu/pages/media.aspx.
Most recently astronomers have discovered a new planet dubbed "55 Cancri e", the rocky world is twice the size of earth but has eight times its mass, thus classifying it as a "super earth." Whenever a new planet is discovered, astronomers and the media alike start a buzz of excitement to announce the discovery. Well, on September 26th at the South Milwaukee Performing Arts Center, there was a discovery in the music world of the magnitude of "55 Cancri e", it was the Robert Glasper Experiment. The 34-year old Blue Note recording artist, Robert Glasper has been on the jazz scene for many years and has been putting out hit after hit since his debut of "Mood" in 2003. On his 2012 release "Black Radio," Glasper takes his music to new heights of genre originality with tastes of hip/hop, fusion, electronica, R&B while all still centering around his unique personal jazz style. Glasper refuses to be pigeon holed into a single genre and in the process, takes the listener on a musical journey of epic proportion.