In typical exploratory fashion, the trio began the 75-minute set not with a familiar piece from their acclaimed debut Changing Places or something from the just released The Ground, but with a new piece entitled "At Home." Though the band’s
The South African pianist had already established himself as a musical innovator on his native continent and in Europe (he was living in Switzerland when Ellington came upon him). His 1959 group with Hugh Masekela, the Cape Tow
Could that be true of the former enfant terrible of the Seventies loft scene, co-founder one of jazz’s most universally acclaimed and innovative ensembles, the World Saxophone Quartet, and the man Gary Giddins and the Village Voice named "Jazz Man of the 80’s"? His first gig at the Blue Note - and as a sideman for one of his disciples?