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Concert Reviews

Concert Reviews (851)

Nothing beats experiencing live jazz music as its being created right in front of you.  Stop here for reviews of your favorite jazz artists live and in concert.

29 Jan

Michael Kaeshammer

Written by Published in Concert Reviews
From the moment that Michael Kaeshammer took to the stage at the Center in Vancouver for the Performing Arts, on the evening of December 13th, you knew this was going to be a fun and entertaining evening, filled with great music. Kaeshammer possesses uncanny stage presence, an abundance of charisma-oh and did we happen to mention that he is a superb pianist, with great jazz vocals. The grand piano was turned at an angle giving his audience a clear view of Kaeshammer, as his fingers da
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29 Jan

Sophie Milman

Written by Published in Concert Reviews
From the moment that Sophie Milman hit the stage at the Center in Vancouver for the Performing Arts, on Canada’s west coast, December 13th, you knew she was into her music. As she started to sing the first few lines of "Spring Fever," her body swayed to the music. Earlier this fall, Milman received high marks from New York City critics after her performances at the Lincoln Center’s Dizzy’s Club Coca Cola, one of North America’s premier jazz venues. Vancouver was the last stop on her western Cana
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While many regard New York as the jazz capital of the US, few people would think of Flushing Town Hall as part of that picture. Yet through a program developed in co-operation with the Flushing Council on Culture and the Arts--a member of the Cultural Institution Group of New York City and an Affiliate Member of the Smithsonian Institution--the team at the town hall presents an array of arts and educational programs at the facility every year that includes some high quality jazz presentations. T
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Some years back, I turned on KUSF, the San Francisco iconoclastic radio station located at the University of San Francisco, to find myself in the middle of an interview with pianist Matthew Shipp. I was so struck by what he said that I went down to Bruno’s, a bar and restaurant on Mission Street which was programming inventive jazz at the time, and checked him out. Ever since then, I’ve been a fan of his challenging music. So I was delighted to see that he would be coming in the
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Subtitled "The Once and Future Life of Billie Holiday," a concept of vocalist Nnenna Freelon in collaboration with choreographer, Dancer Ronald K. Brown and his Evidence Dance Company at the Saturday night November 10th, 2007 opening event Jonelle Procope, President of the Apollo Foundation announced this to be "the first Art & Soul presentation of The Apollo Performing Arts Series." The Apollo Theater event was preceded by a Friday evening"Collaborative Spirit" interview moderated by NJP
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29 Jan

New Music from Harvie S

Written by Published in Concert Reviews
Long recognized as one of the premiere bass players of his era, Harvie S is also an accomplished composer. His most recent release on the Zoho label, Funky Cha, is testament to his prowess in this regard. However, his most recent live performance at the magnificent Kitano Hotel featured brand new material composed over the previous year. After opening the set with a rumba- infused Rhythm-a-ning, Harvie and his group shared six fresh compositions with a captive audience. Their take on the Monk
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29 Jan

A Jazz Hot Venue

Written by Published in Concert Reviews
Saxophonist Ernest Dawkins in town from Chicago along with his New Horizons Ensemble for two engagements at the Trane Studio, as part of the clubs ongoing artistic extravaganza, Afrikan Millennium & Cultural Arts Fest (Oct 1, to Dec 31, '07) put on a performance of high art. The New Horizons Ensemble consisting of Ernest Dawkins, alto and tenor saxophone, Steve Berry, trombone, Darius Savage, acoustic bass, Isaiah Spencer, drums; and the newest member, (all of twenty years old) trumpeter Mar
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29 Jan

Drums Live III

Written by Published in Concert Reviews
The stage is set; drums align the stage - stretching from stage right to stage left, colorful, glowing, large sets with glistening chrome hardware, varying size cymbals of all manner of design and lots of percussion accoutrements. At the front of the stage a hi-hat, a snare and a bass drum are set up, spaced evenly apart with a drum stool stationed behind each instrument. The stars of the evening take a seat, not at the impressive full size, mammoth sets, Mark Kelso takes the drum throne behind
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Thinking outside the box when the subject of jazz is discussed has become increasingly difficult during the last 20 years, especially so when examining the genre as an American art form. What has transpired in that amount of time has been a transitory attitude having little if any historical significance. In Houston, Texas, Da Camera of Houston an arts organization goes to great lengths to insure that jazz is highlighted as a form of artistic impressionism. For more than fourteen years
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A major milestone has been achieved by KHJZ 95.7 "The Wave" in Houston, Texas. The radio station celebrated five successful years of smooth jazz programming with a concert entitled "Wave Day 5" featuring Fourplay, Boney James, Roberta Flack, Michael McDonald and Houston’s own saxophonist Dean James. In that amount of time, KHJZ has annually celebrated their success with a multi-faceted array of stellar musicians in a live setting
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It’s always a pleasure to see the Big Bill Morganfield Blues Band whenever they perform here in Toronto, Ontario. Whether it’s the Silver Dollar as it was this night and others, or at a one-off blues fest at the Toronto waterfront, outdoors a few years ago, Big Bill is always here to please. Bill’s main asset onstage is that he’s a people person one who likes the audience, and they like him back! Bill really puts his ‘all’ into his guitar playing, and is backed admirably and first clas
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Only in Nellie McKay's world does Cole Porter's "Don't Fence Me In" become a song about illegal immigration. "Give me land, lots of land under starry skies above," she sang, gently strumming a ukulele. "Don't fence me in." That's McKay in a nutshell. She's an uncommon blend of bite and sentiment. She's both wise and a wiseass. The young pop-jazz singer performed at San Francisco’s The Independent on the heels of the release of her fine third CD, Obligatory Villager
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David Virelles Quintet & The Penderecki String Quartet Hilario Duran Trio & The Penderecki String Quartet Cuban jazz masters can get classical too, especially when you have a strong classical background, such is the case with Hilario Duran and David Virelles. Duran a pianist who came to prominence in Cuba along side Arturo Sandoval is a living legend and a hero to many of the youth of Cuba, as was so aptly put by his younger countryman David Virelles who made mention during his in
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29 Jan

Patrick Yandall

Written by Published in Concert Reviews
When you meet smooth jazz / blues guitarist Patrick Yandall offstage, he is quiet, gracious and congenial, but when he straps on his guitar he adopts a different persona, that of a master of blistering guitar licks whose fingers dance nimbly over the frets on the neck of his guitar. Yandall is also capable of taking a more laid-back approach to his music, as he did while performing his song "Fade To Black," at Humphrey’s Backstage Lounge in San Diego on October 7th. The song sandwiches a swin
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29 Jan

The Gift of Music

Written by Published in Concert Reviews
A benefit concert in support of the recent earthquake devastated Peru, to aid in the rebuilding of the church Iglesia de San Clemente in Pisco-Ica Peru. The atmosphere of giving was front and centre at the church of St. Peter’s gathering, musicians of a high caliber giving of their time and talent in order to lend support. Sonia Chan a featured soloist with the Toronto Symphony Orchestra, the Canadian Chamber Academy, the Kitchener-Waterloo Symphony Orchestra, the Brantford Symphony Orchestra an
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A new record was set for the 50th Monterey Jazz Festival with 45,000 tickets sold for the three days all this in spite of rain which came midway Friday evening. The brief showers didn’t dampen spirits here. Those wanting shelter came into one the several inside venues, including the large Jazz Theater where the concert was televised, joining those who didn't have tickets for the outside Jimmy Lyons Stage. On the stellar program were stars who participated in the first-ever festival in 1958
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29 Jan

Baku Llama Review

Written by Published in Concert Reviews
Date: 9/25/2007 Format: CD (Album) Baku Llama is a California-based trio releasing their debut album this fall. They have other releases to their name according to their MySpace page - but this release is what they themselves consider to be their first real release, according to the promotional info. Musically this trio seems to draw their influences from a lot of places. Many of the songs are structured in a way that makes me think that krautrock is a genre they are familiar with, whereas the g
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On August 7th 2007, I visited Sweet Sounds Downtown as I had on all other Tuesdays. Having seen, heard, and spoken with Yuri Turchyn (violinist) who performed 2 weeks earlier with a group called Arturo, I was looking forward to hearing Grupo Yuri. They did not disappoint. They performed near the train station parking lot on South Street. A sextet consisting of Yuri Turchyn on violin, Al Selert on drums and percussion, Stacy Grant on percussion, Jim Grant on bass,
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LMT Connection is one of the best ‘live bands’ around. Their energetic ‘sound’ is captivating to say the least, and always gets the dance floor hoppin’! Their sound is unrelenting funk, R&B and blues with a skill honed from over a decade playing together. They have a weekly Wednesday night gig at Toronto’s top funk and R&B club, The Orbit Room located in the central west ‘Little Italy’ section of town. http://www.orbitroom.ca/ Leroy Em
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29 Jan

Karrin Allyson

Written by Published in Concert Reviews
Breathtaking might be a word one could use to describe Karrin Allyson’s performance at Dimitriou’s Jazz Alley in Seattle Washington on Saturday September 22nd. You could just as easily use the adjectives, sassy, sexy and magnificent to characterize her show. Wearing a persimmon colored dress with black trim, Allyson, backed by a seasoned group of musicians, which included, acoustic bass player Jeff Johnson, drummer Todd Strait, Steve Nelson on the vibraphone and electric guitar player Rod Fle
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Charlie Haden brought the Liberation Music Orchestra to Guelph, the same line up of musicians as featured on their 2005 release of, Not In Our Name(Verve), the only member of the orchestra missing and un-accounted for, musician Ahnee Sharon Freeman, who was replaced by Vincent Chancey on the French horn. Haden announced to the audience that the concert was dedicated to world peace. He had also brought along his Liberation Music Orchestra CD’s and he held each one up and indicated which Am
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The second act of a double bill, having just returned to earth after witnessing an Anthony Braxton performance during the first act, featured William Parker Ensemble, who performed a one act suite on "The Inside Songs of Curtis Mayfield" that seemed like a throwback to another period of time. How fitting that the civil rights movement, free thinking and questioning the motives of the powers that be, can ring as true today as they did during the civil rights movement and the peace marches of the
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The National Flute Association, founded in 1973, is the largest flute organization in the world. According to its website, (www.nfaonline.org): "It was founded to encourage a higher standard of artistic excellence for the flute, its performers, and its literature. It has more than 5,500 members from more than 50 countries, including leading soloists, orchestral players, college and university professors, adult amateurs, and students of all ages." The NFA's activities reflect the
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The AIM Toronto Orchestra conducted by Anthony Braxton put on an audio sensory show that for the most part sounded out of this world. An 18-member orchestra had been assembled from the rank and file members of The Association of Improvising Musicians Toronto; this organization was founded in late 2004 by Ken Aldcroft, Rob Clutton, Nick Fraser, and Joe Sorbara as a result of meetings with Vancouver guitarist and former New Orchestra Workshop (NOW) Artistic Director, Ron Samworth. In January 2005,
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29 Jan

Sunday Brunch Jazz Cruise

Written by Published in Concert Reviews
What could be groovier, sitting back, sailing on the sparkling blue Balboa Bay in Newport, listening to jazz from some of the world’s best players. Making it even better feasting on delicious food from sumptuous buffet tables nearby. Well, that’s the scene during the Sunday Jazz Brunch, a highlight of each Labor Day Weekend West Coast Jazz Party, now in its 13th year at the Irvine Marriott Hotel in Orange County, CA. The cruise is on board the Hornblower Entertainer, which sailed this year fr
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