Continuing its entry into the realm of New Orleans music,
Putumayo World Music offers a compilation of recordings by
Kermit Ruffins. The Crescent City native is the veteran of many recording sessions and the cream of the crop are sampled here. Through the 1990s, Ruffins recorded for
Justice Records and continues to appear on
Basin Street Records. The Justice items are no longer available but are well represented on this album.
While my "review copy" does not list the personnel and I’ve done my best to glean the makeup of some of the five bands from books and the internet. The results appear at the top of this review.
Firmly in the tradition of New Orlean’s legendary horn-men like Armstrong, Bunk and Kid Thomas, Kermit Ruffins blows with passion and pride. Happily, the compilation includes four original compositions by Ruffins. They are
Goodnight,
Leshianne,
Kermit’s Second Line and
Doin’ The Fat Tuesday. Of these,
Leshianne clearly showcases both the technically creative and soulful sides of this fine New Orleans player. In contrast,
Kermit’s Second Line and
When My Dreamboat Comes Home exhibit Kermit’s exciting "rough ‘n ready" side. These tracks from 1992 allow us to hear Crescent City legends in the person of Danny Barker, Lucien Barbarin, Ellis Marsalis and the recently deceased
Anthony "Tuba Fats" Lacen. Tuba Fats was a Jackson Square fixture. Both Tuba and Kermit appear as ambassadors in various New Orleans promotional materials. Anthony Lacen had a humungous heart and is dearly missed.
Kermit Ruffins knows how to move a crowd. His own
Second Line and
Doin’ The Fat Tuesday are shining examples of the trumpeter’s swinging style. Trombonist
Corey Henry is a regular in Kermit’s bands and his growling "Kid Ory" attack is wonderful. I’d like to hear more of this fine slip horn swinger.
The Kermit Ruffins disk offers collectors a great chance to lay their hands on some fine "out of print" material.