Reflections on the meaning and significance of Yom Kippur, the Day of Atonement, typically do not inspire a rockin' good time. That's precisely what's going on with Blasphemy and Other Serious Crimes, the sophomore CD from guitarist Yoshie Fruchter's great New York-based band Pitom. Fruchter and Pitom play a sort of advanced poly-stylistic instrumental rock that contains elements of jazz, traditional Hebraic music, metal, old-school prog rock, thrash, sludge and about a half-dozen other distinct musical sub-sub-genres that seem to be popping up at an alarming rate these days. So, while Fruchter's music is definitely a sort of fusion, it's definitely not "fusion-as-we-know it." Compared to the band's stellar debut CD (also on Tzadik), Blasphemy... is more measured, more focused, and yet the band seems to be heading in several new and interesting directions. Best of all, they've developed a signature sound that doesn't box them into narrow stylistic parameters. In fact, Pitom may well be the most innovative and exciting band working in the Yiddish fusion idiom aside from Greg Wall and Frank London's group, Hasidic New Wave.
An Italian quartet featuring Giorgia Santoro on various flutes, the program poses an abundance of intriguing paradoxes via multicultural persuasions, including movements with Indo-fusion components. Whereas, Adolfo La Volpe's, often scorching jazz-rock type electric guitar performances, delineate yet another distinct aspect within the grand schema.
Hello jazzreview music community! I am keyboard and electric guitar player Chris Rossi out of the Boston, Mass. area on the Net Dot Music label - an Internet based independent record label specializing in instrumental fusion: all-instrumental music that blends several styles and genres.
My music style blends elements of jazz, rock, blues, R&B, and funk into groove-based compositions featuring retro/vintage keyboards & atmospheric soundscapes over loop/sample-based rhythm section arrangements. If you enjoy jazz rock, jazz fusion, ambient jazz, some progressive rock or other related instrumental music fusion, you will probably connect with my music.
Reprise Records Presents Highlights From The Duo's Unprecedented, Sold-Out Jazz at Lincoln Center Performances; Also Features Special Guest Appearance By Taj Mahal
Last call for Happy Hour is followed by Matt Renzi's mood-evoking set, conjuring notions of a dimly lit barroom amid some joyous late-night impressionism and cogent theme-building exercises. Renzi's largely memorable compositions capture an atmosphere of a party that marches to the beat of a different drummer. With varying levels of intensity, the trio crafts an appealing sound design via interlocking movements and daintily constructed intricacies.
Rise and Fall - A meditation on civilization undone, inspired both by the present and representations of the past.
These mostly live loop improvisations feature fretless bass, acoustic bass guitar, and midi-following synths and effects. Sequenced compositions utilize rhythms adapted from ancient Greek poetry.
Noshir Mody, a guitarist with his own unclassifiable style and distinctive sound, recently released Union Of Hearts, a trio CD with bassist Daniel Foose and drummer Kim Garey. Comprised of Mody's nine originals, Union Of Hearts is filled with music that is often introspective and relaxed but full of inner fire.
Italian bassist Lorenzo Feliciati and his laudable band-mates take your listening space under siege with this hefty bag of jazz-fusion, electronica and avant-rock. They purport by a cataclysmic sequence of storylines, topped off by trumpeter Cuong Vu's scorching notes. Feliciati's booming, yet pliant lines help consummate a massive rhythmic element along with drummer Pat Mastelotto, of King Crimson and first-call session notoriety. Keyboardist Roy Powell rounds out the band makeup, where electronics, distortion and feisty improvisational segments ride atop pulsating backbeats, shadowy textures and expansive impressionism.