In anticipation of a June 2014 full CD release, Paolo Rustichelli has released his “Med Groove” single to the delight of radio. At the time of writing this updated press release, “Med Groove” has been #1 on the SmoothJazz.com indie chart for two weeks and is currently at #9 on the Mediabase smooth jazz chart. A seducing musical treat, Paolo uses edgy techniques, state of the art synthesizers, plug-ins and other magical effects to create his full band sound for “Med Groove.” A very open-minded and eclectic composer with a history rich in classical, jazz, smooth jazz, rock and movie music for songs and soundtracks, this one man band plays all the instruments on the songs by himself.
Saxophonist Andrew Neu follows up his successful NuGroove Records debut with his 4th contemporary jazz CD, "Everything Happens for a Reason." Along with producers Brian Bromberg and Steve Oliver, Andew has assembled an all-star band, featuring Rick Braun, Bobby Caldwell, Jeff Lorber, Tom Schuman and Alex Acuna. Embellished by a horn section and a full orchestra, this project takes you on a musical journey around the world. Andrew co-wrote a song with Bobby Caldwell and arranged a unique take on the jazz classic, "Take Five". Inspired by the soul jazz and Latin music of the 1960s, it's reminiscent of Quincy Jones and Sergio Mendes.
Airborne is proud to announce the release of “Silver Skies,” which celebrates the 25th anniversary of this dynamic band. This project with all new compositions is a testimonial to the wisdom, endurance, determination, spirit and extraordinary talents of the contemporary jazz group Airborne.
"They Say It's Wonderful," the first track on this marvelous new record from Kirk Whalum, opens cleverly with a sample (or a fresh recording made to sound like a sample, complete with the scratchy LP and old AM radio speaker sound effects), of McCoy Tyner's piano at the top of the classic John Coltrane & Johnny Hartman cut of the same tune from their eponymous 1963 record that serves as Whalum's inspiration. But following that clip, nothing further is lifted directly from Coltrane and Hartman except the spirit of excellence in musicianship and the mellow, romantic mood.
Whereas Coltrane and Hartman--the latter not well known at the time but nonetheless a brilliant vocalist--set out to make a recording of pop[ular] tunes in a jazz form (trio plus tenor sax and vocals), the Whalums instead are making a smooth jazz record on a core of what became jazz standards, then adding some of their own new music. Because great songs are great songs, both versions work very well. But don't think Kirk Whalum was trying to remake the original; this is a modern recording with its own fresh and eloquent voice.
The Greatest Party At Sea: The Smooth Jazz Cruise
How would you like to be in Smooth Jazz Heaven? It sails around the Caribbean and features an A-list of smooth jazz performers in concert and in special moments. It's "The Smooth Jazz Cruise," which is also called "The Greatest Party At Sea." From the time you board Holland America's Westerdam until you disembark, it's just one amazing experience after another. In January, Bev and I went on what would become not only our first cruise, but the only cruise we would ever think of taking again.
George Duke is a multi Grammy Award winning legend. So, when I called him to get a few quick quotes for my France Joli interview (he produced her album 'Witch Of Love') I quickly realized I needed to milk this conversation for all it was worth. Duke is a musician's musician with a career spanning over forty years and, even though he's not primarily known as a disco artist, he has produced some great dance tracks. These include Stephanie Mills' 'Edge Of The Razor', Deniece Williams' breakout dance pop crossover hit from Footloose, 'Let's Hear It For The Boy', and his own feel-good smash from 1982, 'Shine On'. He also created adult contemporary staples for A Taste Of Honey and Jeffrey Osborne while in the jazz world has worked with everyone from Nancy Wilson to Dianne Reeves to Al Jarreau. Consequently I decided to break the ice by talking about a time when jazz merged with disco.
My Next Heartbeat is keyboardist, producer, engineer, composer and Founder and Pastor of Northview Christian Church Hart Ramsey's second release as a leader. This lively set of smooth jazz music doesn't skimp on nice easy-going grooves or compromise on room for Ramsey's accompanying musicians to express themselves on those grooves via long improvised solos.
Xeric winner Gary Scott Beatty's "Jazz: The Tiki Room" fiction is featured in the free online magazine MuskegonOnline.NET this month only.
Watching smooth jazz artists embark on new ventures, new arenas and new paths is actually one of the more exciting things to happen to music in 2011 and still now in 2012. With the death of smooth jazz radio we've witnessed George Benson return to the kind of music he played on his CTI and early Warner Brothers recordings, watched Richard Elliot move to soul-jazz, and Candy Dulfer gravitate more fully towards dance music.