Award-winning local jazz vocalist, Chris Williams has been nominated in the category of Best Jazz for the Orange County Music Awards, to be held March 3 at The Grove in Anaheim.
There was a time when jazz aficionados waited in high anticipation for new recordings from specific musicians, like Miles Davis and Weather Report. You always knew there would be something new, fresh and exciting in every one of their releases, and countless people would want to be the first to hear what the direction would be. Sadly, today this is almost no longer true. Now the world is full of jazz released on CD that is predictable and staid. There are, however, two ensembles that continue to delight audiences with something new with every single one of their releases, trumpeter Dave Douglas and the SF Jazz Collective.
Hailing from Atlanta, Georgia, Kayla Taylor is a southern gal who, when it comes to torch songs and jazz standards, can sing with the best and surpass them. Her new CD 'You'd Be Surprised' is the follow up to her 2005 release 'A Night at Pacific & Vine' and features a sophisticated array of classic tunes that she delivers with the warmth of a nightingale and the intimacy of a soul singer.
Highly-regarded saxophonist and composer Jack Wilkins morphs a holistic viewpoint derived from Appalachian Mountains culture and spins a hip, Americana vibe into the modern jazz vernacular. Where other projects of a similar nature fail due to superfluous content or perhaps lean too heavily on one genre, Wilkins' mood-evoking sentiment and zesty arrangements proclaim a well-rounded scenario.
Los Angeles based guitarist, composer and producer Brian Hughes, who is best known for his long standing work with vocalist Loreena McKennitt, grew up in Alberta, Canada and studied at Grant McKewan College, the Banff School of Fine Arts and the Guitar Institute. He comes forward again on Fast Train To A Quiet Place with a recording that is full of his unmistakable and ever lovely musical elements.
This is a crazy time for smooth jazz musicians. After plying their art for public recognition via suit-oriented business models on smooth jazz radio stations, the musicians now find themselves in one of three non-mutually exclusive situations. In the first scenario, (1) they are happy smooth jazz radio is dead and can now play the kind of music they had always wanted to but their record companies wouldn't allow, or (2) they are totally lost fearing their audience will leave them as the radio formats change and with it, perhaps, their fans, or (3) they struggle to find relevance among jazz and instrumental music fans, charting a course they hope will allow them to survive and be accepted within the jazz community.
Evening In Vermont is the ninth CD by the straight-ahead jazz quartet, TRP (The Reese Project). Featuring three members of the Reese clan, Tom play flutes, Laurie is on cello, and Kirk on piano, rounded out by the percussion set work of Dave Young, the ensemble plays a collection of original, covers by jazz legends like Wayne Shorter and Roland Kirk, and folk songs.
Philippines born, Boston raised, now New York based guitarist, composer, arranger, producer and teacher Ron Jackson has spent time playing with a number of different artists. Among these are James Spaulding, Taj Majal, The Boys Choir of Harlem, Cecil Brooks III, Jimmy McGriff, Cissy Houston, Ralph Peterson, Russell Malone, Larry Coryell, Don Braden, Benny Golson, Randy Weston, Ron Carter, and Oliver Lake, to list just a few.
Bassist, cellist and composer Buell Neidlinger, born in 1936, came up by playing with Herbie Nichols, Oran “Hot Lips” Page, and Vic Dickenson, among others. With his apprenticeships done, Neidlinger started working with artists like Tony Bennett, Billie Holiday, Lester Young, Rex Stewart and for seven years with pianist Cecil Taylor. After a stint in Sir John Barbirolli’s Houston Symphony, Neidlinger returned to New York in 1965 to work with composers like George Crumb and John Cage. Further work included time with the Berkshire Music Center Orchestra, one Igor Stravinsky’s chamber ensembles, and the Boston Symphony Orchestra. A move to California in 1971 to teach at CalArts led to eventually joining the Los Angeles Chamber Orchestra and work in West Coast studios.
Music is a funny business. There are so many incredibly talented musicians that never get the respect they are due, and conversely there are a number of musicians of rather average ability who get way more than there 15 minutes of fame. On the front end of that equation is the incredibly talented jazz pianist Sir Roland Hanna.