Spanning several decades, progressive-jazz and improvisational icon Anthony Braxton has been no stranger to duet settings amid his large and small ensemble aggregations. Therefore, this 2-CD program recorded live in 1989 is the artist's fruitful collaboration with bassist Buell Neidlinger, noted for his work with Cecil Taylor, Steve Lacy, and educational duties at the New England Conservatory.
"Luca Luciano is a noted Italian clarinettist and composer who now makes his home in London, having developed an enviable reputation as an instrumental virtuoso around the UK and overseas via recordings and concert hall appearances" (Musician Magazine)
Internationally recognised for his groundbreaking contributions to contemporary clarinet music, extremely appreciated by the International Clarinet association, "Luciano has established himself as the friendly face of contemporary clarinet" according to the Clarinet & Saxophone Society of Great Britain. His latest album "Partenope" is receiving praises in three continents (BBC Radio, Jazzradio.com, CRN Australia nationwide, in Brazil and South America, RTE national broadcaster of Ireland and radios around Europe) including a number of interviews for the press and on radio.
The Tel Aviv Jazz Festival is one of the most prominent and important jazz events in Israel. It features both Israeli and international jazz luminaries. This 2012 festival will host famous jazz musicians from abroad who will join Israeli artists in original productions and debut performances.
Volume 3 of influential trumpeter Dave Douglas's "Portable Series" casts yet another perspective of the artist's resiliency and broad vernacular. The premise behind the three volumes, featuring different ensembles is based on informal gatherings, hearkening back to the olden days where musicians would align for pick-up sessions. Otherwise, Bad Mango is not simply a high-octane bashing session, but offers a polytonal soundscape, spanning a diverse mix that is a nicely balanced package containing equal parts jazz and world music. Neither genre supersedes the other, although an indigenous setting is laid out via the percussionists' multifunctional approach to the program.
Clarinetist John Carter and trumpeter/cornetist Bobby Bradford aligned forces in 1965 and eventually helped flip the West Coast USA jazz scene on its side, although widespread recognition was fleeting. Bradford still remains a vital exponent of progressive-jazz amid numerous session dates and co-led efforts for various record labels. Carter passed away in1991 and released several landmark recordings for Swiss-based Hat Hut Records, Gramavision and others. He wowed the critics via his Folklore: Episodes in the Development of American Folk Music series (1982-1990), providing a visionary musical account of America's roots, owing to the blues and African-American culture.
When I first heard that Michelle Rosewoman would be playing in a piano shop, I expected her in a small, dusty showroom with pianos clustered around her.
What I found instead on San Pablo in Oakland was a shiny showroom with gleaming pianos of many varieties, many of which cost ten to over a hundred thousand dollars.
The new edition of Jazz & Blues Florida, Florida's free online source for information on live jazz and blues in clubs, concerts and festivals, is now available. Readers throughoutFloridaand visitors coming from around the world consult this site for information on the vibrant scene to be found throughout the sate.
The young HUBRO record label issues LPs and CDs by Norwegian artists, pursuing improvisation that touches upon indigenous folk, jazz, minimalism, electronica and avant-garde metrics. As the second album by the trio 1982 offers a striking audio perspective via its unusual instrumentation. With deep-rooted and slightly disfigured Scandinavian folk, the band casts a vista akin to a solemn winter evening sprawled across farmland-like vistas under a full moon, amid a few highly-charged spikes in the action.