Often cited as Egypt's Ambassador of Rhythm, all-universe percussionist Hossam Ramzy assembles a true, world-fusion gala, featuring virtuoso percussionists integrating Eastern and Western modalities into an all-inclusive celebration. Framed by alternating personnel on a per-track basis, Ramzy is the central force behind these sessions. Augmented by instrumentalists employing keys, guitars, bass, and electronics amid vocalists and strings performers, venerable drummers Manu Katche (France) and Billy Cobham (USA) lend their wares on select works.
Though the late 90s Exotica / Space Age Bachelor Pad Music mini-trend of the late 90s and early 2000s is long over, vibraphonist Brian O'Neill continues to make original music in this vein under the Mr. Ho's Orchestrotica moniker. Listening to the band's sophomore effort, “Third River Rangoon,” I couldn't help but wonder if he wasn't selling himself short. Many correctly associate exotica with mood music, a hip sort of sound to have on in the background while the primary order of business is sipping a Mai-Tai and eating sushi. From the first track on “Third River Rangoon,” it's clear that there's much more going on here than one would typically hear on any given Martin Denny or Les Baxter LP. Even the CD title, with its backhanded reference to Gunther Schuller's 'Third Stream Music,' suggests that O'Neill and company have loftier goals than merely updating mildly interesting background music from the 1950s.
Time for something new. The new Rae Ann Perez CD "Midnight In Paris" has its official release date on October 7th and will be available on CD baby, Amazon, iTunes and more. A new term "World Jazz", is what best describes the 12 song release of Rae Ann's 8 originals compositions and 4 modernized jazz classics. The style is a multi genre mix that includes unique blends of latin, jazz standards, modern cool jazz, funk, and world music with exciting rhythms.
Rae Ann leads the way with creative piano melody improvs accompanied by sweet and cool vocals.
Reflections on the meaning and significance of Yom Kippur, the Day of Atonement, typically do not inspire a rockin' good time. That's precisely what's going on with Blasphemy and Other Serious Crimes, the sophomore CD from guitarist Yoshie Fruchter's great New York-based band Pitom. Fruchter and Pitom play a sort of advanced poly-stylistic instrumental rock that contains elements of jazz, traditional Hebraic music, metal, old-school prog rock, thrash, sludge and about a half-dozen other distinct musical sub-sub-genres that seem to be popping up at an alarming rate these days. So, while Fruchter's music is definitely a sort of fusion, it's definitely not "fusion-as-we-know it." Compared to the band's stellar debut CD (also on Tzadik), Blasphemy... is more measured, more focused, and yet the band seems to be heading in several new and interesting directions. Best of all, they've developed a signature sound that doesn't box them into narrow stylistic parameters. In fact, Pitom may well be the most innovative and exciting band working in the Yiddish fusion idiom aside from Greg Wall and Frank London's group, Hasidic New Wave.
Noshir Mody, a guitarist with his own unclassifiable style and distinctive sound, recently released Union Of Hearts, a trio CD with bassist Daniel Foose and drummer Kim Garey. Comprised of Mody's nine originals, Union Of Hearts is filled with music that is often introspective and relaxed but full of inner fire.
Founded by Multi-instrumentalist composer Brandon Terzic, Xalam Project boasts and outstanding lineup of Musicians, featuring Matt Kilmer on Percussion (Simon Shaheen, Lauryn Hill, Haale), Matt Darriau on Horns and winds (Paradox Trio, Klezmatics), John Shannon on guitar (Hiromi), and Peter Slavov on bass ( Joe Lavano, Jason Moran). Terzic himself plays the Arabic Oud, Malian Ngoni and Turkish Saz. He has spent time in Senegal, Morocco, and Egypt studying and absorbing their respective traditions, pulling them together to create a rich tapestry of sound which takes the incredible rhythms, tonalities and improvisational systems of these traditions and inflecting them on the bedrock of Blues, Rock, and downtown NYC jazz that the band's members are rooted in.
Kiawah Island, SC (August 25, 2011) – Since 2004, GRAMMY®-winning guitarist Earl Klugh has been bringing world-renowned artists together with jazz enthusiasts for his one-of-a-kind weekend getaways at 2 Five-Star, Five-Diamond properties; The Broadmoor in Colorado Springs, and The Sanctuary at Kiawah Island, South Carolina. The 2nd annual Weekend of Jazz at Kiawah Island will be held November 10-12, 2011 and features 3 incredible nights of music from 10-Time GRAMMY®-Winner CHAKA KHAN in a Rare and Special Jazz Performance, Multi-Instrumentalist BRIAN CULBERTSON, Saxophonist, Vocalist and Composer MINDI ABAIR, Jazz/R&B Saxophonist ERIC DARIUS, Singer, Songwriter and Pianist SPENCER DAY, Lowcountry Favorites The EAST COAST PARTY BAND, PGA Tour Champion & Golf Commentator JOHN MAHAFFEY, Your Host and GRAMMY®-Winning Guitarist EARL KLUGH, and more!
Eugene Marlow is a remarkably busy fellow. A pianist, composer, educator, and author, among his many activities is leading the Heritage Ensemble, which performs jazz arrangements of Hebraic melodies. Most of the tracks here are new arrangements of tunes previously released on an earlier album, "Making the Music Our Own" (2006). New musicians and new ideas have led Marlow to undertake a fascinating project.
NYC Bassist/composer Matt Geraghty has recently released his 4th CD "DEPARTURES" propeling his cross pollination of jazz and world music into new territory. Bringing together musicians from Poland, India, Armenia, Russia, Brazil, New York and Chicago Matt presents 12 new internationally inspired original compositions. "DEPARTURES" was recorded in New York City and Avatar Studios.